Calvin continues his diatribe against false sacraments of the Roman Catholic Church, wrapping up his denial of the sacrament of final unction. In paragraphs 19-21, he levels two criticisms: the proof text (James 5:14) does not pertain to the church today but only to the apostolic age with its now-ceased gift of healing; and what the Roman priests actually do in final unction bears little resemblance to what James calls for. We see in final unction an example of a problem that often shows up in Protestant and Evangelical circles as well: a flimsy appeal to a proof text that does
Calvin continues his critique of Catholicism by applying a biblical definition of "sacrament" to the Roman rite of penance. He begins with a clear and careful distinction between public repentance, as it was practiced in the early church, and the private absolution offered through the so-called sacrament of penance.
Charles Haddon Spurgeon and His Struggle with Depression
Fabiola and Her Radical Charity
Theological error and heresy constantly plagued the church during the life of the Apostle Paul, so it is no surprise that his final instructions to Timothy contain essential counsel on the right way to address error and heresy
If a believer, perhaps a pastor, has a conversation with someone who suspects they are transgender or experiences gender dysphoria, our first response should be compassion. Imagine waking up daily and thinking, “I have the wrong body.” If we are in a position to give counsel or advice, we should be “quick to listen, slow to speak” as James 1 says
A beautiful singing voice is amazing. But then again the whole notion of music can be unfathomable. Maybe you think that is an overstatement or editorial license. But think about it. How can some people with aphasia, a communication disorder, sing with fluency? We see the same phenomenon with those who stutter. I grew up listening to Mel Tillis introduce his songs with a stutter and the go on to sing them without one. But that’s not all. There is power in music. Song influences. Plato once said that musical innovation is a danger to the state.