Some readers may be curious about the forthcoming Martin Scorsese film, Silence. The story follows two Jesuit priests (played by Andrew Garfield and Adam Driver) who leave Portugal in order to discover the fate of Father Ferreira (Liam Neeson), a missionary to Japan whom rumor has it had abandoned the faith. Although I have not seen the movie, I have read the book that the movie is based on. I have some spoilery reflections on the book, but since I haven't seen the movie I'm not necessarily prepared to comment on it or recommend it. My suspicion is that the majority of Christians in the west, much like myself, have never heard about the earliest Catholic missions to Japan in the 17th Century. The Jesuits came to Japan in 1549, and while I should not (and cannot) here give a history of Christianity in Japan, it is worth admitting that the 1630s and 40s were a time of unbearable persecution. The tortures exacted on the Christians of Japan during this time are horrifying to consider. Shusaku Endo's book Silence, a fictionalized account of these true events, was written in the 1960s by a Roman Catholic. I speak of this book as neither a Roman Catholic, nor as someone with any special or unique knowledge of the history of Christianity in Japan. One of Endo's enduring themes is the incompatibility of Christianity (or any other religion) with the Japanese culture. One of Endo's repeating themes in this book is that Japan is a "swamp" which takes, changes, and transforms ideologies until they no longer resemble their former selves. From reading the translator's preface, one can see that there are autobiographical aspects to this argument. Endo sees a struggle within his own heart away from his Catholicism, and in one interview said that in spite of his own religious upbringing, "there was always that feeling in my heart that it was something borrowed, and I began to wonder what my real self was like. This I think is the 'mud swamp' Japanese in me." So for Endo, Christianity can never really take root in Japan unless it changes, transforms, or adapts. Of course, this is a popular modern theme, this idea that Christianity will wither and die if it does not change with the times. It seems harder to believe here in the West where most people still preserve some nominally religious veneer. It's a bit more persuasive when one considers that less than 1% of people in Japan are Christian. I do not agree with Endo that Christianity must change in order to be received, but there is a tension here in the book. On the one hand Endo seems to think that Christianity needs to change. On the other hand, he seems to fault the corruption of Christianity in Japan with the Jesuit willingness to adapt. Father Ferreira in the book does give a speech where he points out that the type of Christianity that has taken root in Japan is nothing resembling what they knew back in Portugal. Accommodations have been made for ancestral reverence, and the gods they worshipped haven't gone away - they've simply taken a back seat to Christ in the minds of the new Japanese converts. Ferreira faults the Jesuit tendency to adapt to local superstitions and customs rather than replacing them, implementing them into their version of Christian theology, thus transforming it into something entirely different. And so there is an interesting tension in the book. Was the accommodation of the Jesuits right or wrong in Endo's mind? If it was right, then why does Ferreira find fault with it? If it was wrong, then Endo seems to think Christianity wouldn't have even taken hold in the slightest. I found myself utterly captivated by Silence. Reading this book was a remarkable experience for me. I will try to make the case here that Christians need to be made more aware of this book. It belongs on our bookshelves next to Walker Percy's The Moviegoer and the writings of Flannery O'Connor in the sense that it asks the hard questions, pushes the reader in painful ways, and doesn't offer preachy or simple answers. [I warn that from here on out my review contains spoilers. If you want to read the book, I recommend that you get it and read it right away, but do stop reading this review!] The novel takes place in the 1630s after a Jesuit priest in Japan named Ferreira is reported to have apostatized from the faith. Finding this impossible to believe, the Priests Rodrigues and Garpe make the dangerous journey from Portugal to Japan in order to live as missionaries among the Japanese and also to find out what the truth is of Ferreira's fate. Half of the book is the written journal of Rodrigues, while the other half of the book is either written in a third person format, or contains the letters of others associated with the narrative. Rodriguez and Garpe are eventually captured by the authorities and witness horrific circumstances as they watch the Japanese Christians laying down their lives for the faith. There is no glory in these martyrdoms, as Rodriguez had always imagined. Rather, there is a brutality and cruelty which he had never imagined. Prior to the arrival of Rodriguez, the Japanese forced the priests to renounce the faith and tortured them until they did so, with none of them recanting. However, we soon discover that the Japanese chose a different method altogether, beginning with Ferreira. They use this same technique to great effect on Rodriguez, as well. Rather than torturing the priests, they torture the Christians, telling Rodriguez that all he must do is renounce the faith in order to end their sufferings. Some of the greatest struggle in the book takes place as Rodriguez recounts his own psychological agony. There are hard questions. It is one thing to suffer for your own faith - to endure pain and suffering for the sake of one's love for Christ. But is it self-centered to refuse to recant in order to end another's suffering? "The price for your glory is their suffering," says Inoue. At one climactic moment in the book, Rodriguez can hear the moaning of the Christians as they hang in the pit, their cries going up and reaching his ears. These Christians have all recanted, but they will not be released until Rodriguez tramples the image of Christ himself. Suddenly, the image of Christ speaks: "Trample! Trample! I more than anyone know of the pain in your foot. Trample! It was to be trampled on by men that I was born into this world. It was to share men's pain that I carried my cross." Rodriguez obeys, and the Christians are released. The title of the book, Silence refers to Rodriguez' constant lament that God is silent as his people suffer. "Why is God continually silent while those groaning voices go on?" At one point Rodriguez is praying and he says, "'Lord, I resented your silence." He receives a reply: "I was not silent. I suffered beside you." The book is Job-like in its unwillingness to offer straight answers. As the reader you can't help but wonder if what Rodriguez did is right or wrong. The book implies that he never really gives up believing, but that he spends the remainder of his days as a secret Christian of sorts, outwardly obeying the magistrate. As long as the priests stay away and Rodriguez continues as he is, the authorities promise to leave the Christians alone. Later in the book, Inoue speaks to Rodriguez and he says, "I've told you. This country of Japan is not suited to the teaching of Christianity. Christianity simply cannot put down roots here...you were not defeated by me...You were defeated by this swamp of Japan." Another character in the novel who matters a great deal is the weakling Kichijiro, who is a pathetic figure, folding under persecution every time, terrified of the authorities, turning in Father Rodriguez at one point, but always returning, always repenting. At one point Rodriguez is thinking of Kichijiro and he wonders to himself: "How many of our Christians, if only they had been born in another age from this persecution would never have been confronted with the problem of apostasy or martyrdom but would have lived blessed lives of faith until the very hour of death." What stinging words! To Christians who live in the West, free of persecution, free of tortures and pain it is so easy for us to judge one such as Kichijiro, and yet constantly throughout the novel we are confronted repeatedly by his tragic and pathetic figure. I think that we as readers would be wise to see ourselves in Kichijiro. Part of the reason why this book became so controversial in Japan upon its release was that people read the book as theology and not as literature. Endo has complained about this, because he insists his purpose was not to offer up a story for theological dissection. Though I can't resist the urge completely, as you can see, I will do my best not to follow Endo's critics into the murky theological waters that this book seems to invite. Endo's novel is a masterpiece, plain and simple. Christians need to meditate upon the nature of suffering, the pains of martyrdom, and the difficult questions that confront us in this novel. I have lamented before that Protestant writers seem to be incapable of facing painful and hard existential questions like those in this book without resorting to preachy narrative devices. Silence is the exemplification of how to do a novel tackling the subject of faith and suffering head-on while avoiding the dreadfully tacky literary pitfalls we so often see all around us. Martin Scorsese's adaptation of this film has been recently completed and it is expected that it will begin showing in theaters in time for awards season. I really hope that Scorsese is able to faithfully translate this book into film. I have my doubts, but I do suspect that if the trailer is any indication the film may hold very close to the novel.